String Crossing

This technique is where your bow changes string in either slurred or separate bowing. Sometimes we find passages difficult because of the string crossings alone, which can confuse the left hand. It’s a great technique to isolate in studies and practice.

Popper Cello Étude No. 1

Teaching Notes for Popper Cello Étude No. 1 The first Popper Étude brings a significant number of challenges. Primarily a study for the bow staccato, the challenge is to always have clarity of sound and a very precise left hand and right hand coordination. Practicing this with the bow only on open strings first is […]

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Popper Cello Étude No. 4

Teaching Notes for Popper Cello Étude No. 4 We were thrilled to have the incredible Tim Gill with us for exploration of Popper 4 – “a beast of a study”. We explore the unique challenges of this one, thumb position, key signature, bow legato with string crossings and lots more. Hope you will find this

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Popper Cello Étude No. 5

Teaching Notes for Popper Cello Étude No. 5 Popper 5 is a really fun study, marked “scherzando” which is Italian for “play in a playful manner”. This includes challenges for thumb position. We hope that we’ve helped to make this scherzando fun for you while exploring the ever-present and very important dotted-rhythm! (Beethoven 7 anyone?)

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Popper Cello Étude No. 11

Teaching Notes for Popper Cello Étude No. 11 We laughed a lot in this super fun Popper session with the wonderful Dr. Erin Ellis of West Virginia University. This study is one of the first that Erin assigns to students, but don’t be fooled! There’s PLENTY to work on in this study, including string crossings,

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Popper Cello Étude No. 12

Teaching Notes for Popper Cello Étude No. 12 This is quite a tricky study that really works on the geography of the cello especially in thumb position. It’s a real workout for anyone’s cello playing chops, and features a difficult octaves passage at the end of 4 pages of thumb position! However, we really enjoyed

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Popper Cello Étude No. 15

Teaching Notes for Popper Cello Étude No. 15 This is a great study with a wide variety of techniques. Not especially “thumb-y” but definitely focuses on some double-stops and tricky aspects of thumb position. We feel this is a great study to take a look at if you are interested in a career in orchestral

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