Bow Rhythm

When a separate or slurred bowing pattern dictates the rhythm of a musical passage. The bow must direct string crossings within a slur very rhythmically for clarity.

Popper Cello Étude No. 5

Teaching Notes for Popper Cello Étude No. 5 Popper 5 is a really fun study, marked “scherzando” which is Italian for “play in a playful manner”. This includes challenges for thumb position. We hope that we’ve helped to make this scherzando fun for you while exploring the ever-present and very important dotted-rhythm! (Beethoven 7 anyone?)

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Popper Cello Étude No. 15

Teaching Notes for Popper Cello Étude No. 15 This is a great study with a wide variety of techniques. Not especially “thumb-y” but definitely focuses on some double-stops and tricky aspects of thumb position. We feel this is a great study to take a look at if you are interested in a career in orchestral

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Popper Cello Étude No. 28

Teaching Notes for Popper Cello Étude No. 28 We had SO much fun exploring Popper 28 this week with the amazing Joely, who inspired us to look at this study in totally new ways. Katie was a student of Joely’s and considers her a wonderful mentor and huge influence in her life. Join us as

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Popper Cello Étude No. 37

Teaching Notes for Popper Cello Étude No. 37 Here’s a tricky study filled with LOTS of technical aspects… fast shifting, mordents, thumb position which also features on the lower two strings. Working out the mordents takes some attention. Coordinating the right hand and left hands is key – the bow must start before the beat

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Popper Cello Étude No. 38

Teaching Notes for Popper Cello Étude No. 38 This étude appears extra challenging with the ‘presto’ tempo marking and the octaves. Starting slowly is highly recommended. Take out the octaves and practice the bow stroke on open strings first. Practicing this in rhythms is very helpful to increase the speed once you can play this

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