Any time your left-hand changes position. Working out the connection both physically and mentally and well as our cello geography helps to make shifts consistent and confident.
Teaching Notes for Popper Cello Étude No. 21 Here is our live discussion of Popper’s 21st study. It was a fun one! This focuses on bow legato, bow distribution, string crossings and shifting often in thumb position. Can each shift and string crossing stay smooth so that it doesn’t effect the legato sound? Interesting to […]
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Teaching Notes for Popper Cello Étude No. 22 Popper 22 is a beautiful study. We have both really enjoyed learning this one. Check out the first five minutes of this video for HILARIOUS stories about the 17-year cicada plague in the US, which is reoccurring this year! Start at 05.05 to skip this…! Legato bowing
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Teaching Notes for Popper Cello Étude No. 23 Popper 23 was our final étude of the year. In this video, we reflect on all that has made this project an awesome challenge. This study offers many different technical challenges and approaches. Bow legato, string crossings, bow distribution, quick changes of bow speed, shifting, octaves, unusual stretches
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Teaching Notes for Popper Cello Étude No. 24 Christian Elliot (Irish Chamber Orchestra) came back for a second time with Popper 24, a beautiful and challenging study that explores a vast amount; thumb position, harmonics, developing the ear, string crossings, legato bowing and more.
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Teaching Notes for Popper Cello Étude No. 25 We had a great time exploring Popper 25 which helps to strengthen our bow arm playing near the tip of the bow, as well as dotted rhythms and some tongue-twisters for the left hand. We hope you enjoy. Important to have a clear rhythmic impulse despite left
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Teaching Notes for Popper Cello Étude No. 26 We found this one to be a real workout for the left hand as well as the bow as it explores different hand positions in thumb position. Legato bowing with plenty of shifting and string crossings to keep us challenged!
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Teaching Notes for Popper Cello Étude No. 27 This is an étude that works on spiccato and sautille strokes, as well as an extended technique that is rarely used in the repertoire – thumb to second finger octaves. Lots of chromatic harmonies here and coordination between right and left hands is key.
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Teaching Notes for Popper Cello Étude No. 28 We had SO much fun exploring Popper 28 this week with the amazing Joely, who inspired us to look at this study in totally new ways. Katie was a student of Joely’s and considers her a wonderful mentor and huge influence in her life. Join us as
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Teaching Notes for Popper Cello Étude No. 29 This is a particularly challenging study, especially if your double stops have been on the back-burner lately. We talk a lot about psychology of practice and how to prepare a difficult work like this in our discussion this week. If you are attempting this study, be kind
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Teaching Notes for Popper Cello Étude No. 30 We had such a blast exploring Popper 30 with the amazing Martin Johnson (Section Leader of the National Symphony Orchestra of Ireland). Popper 30 is a unique study – with a key signature of six flats! We’ve explored this study from all angles, plus lots of other
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