Legato means to play smooth and connected which is achieved by the bow… even when the left hand is going wild.
Teaching Notes for Popper Cello Étude No. 20 This study is so satisfying to perform! It involves so many techniques all in the one place but sounds really beautiful. Legato shifting, legato string crossing without interrupting the line. Legato octaves and broken ones. The list goes on!
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Teaching Notes for Popper Cello Étude No. 21 Here is our live discussion of Popper’s 21st study. It was a fun one! This focuses on bow legato, bow distribution, string crossings and shifting often in thumb position. Can each shift and string crossing stay smooth so that it doesn’t effect the legato sound? Interesting to
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Teaching Notes for Popper Cello Étude No. 22 Popper 22 is a beautiful study. We have both really enjoyed learning this one. Check out the first five minutes of this video for HILARIOUS stories about the 17-year cicada plague in the US, which is reoccurring this year! Start at 05.05 to skip this…! Legato bowing
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Teaching Notes for Popper Cello Étude No. 23 Popper 23 was our final étude of the year. In this video, we reflect on all that has made this project an awesome challenge. This study offers many different technical challenges and approaches. Bow legato, string crossings, bow distribution, quick changes of bow speed, shifting, octaves, unusual stretches
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Teaching Notes for Popper Cello Étude No. 24 Christian Elliot (Irish Chamber Orchestra) came back for a second time with Popper 24, a beautiful and challenging study that explores a vast amount; thumb position, harmonics, developing the ear, string crossings, legato bowing and more.
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Teaching Notes for Popper Cello Étude No. 26 We found this one to be a real workout for the left hand as well as the bow as it explores different hand positions in thumb position. Legato bowing with plenty of shifting and string crossings to keep us challenged!
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Teaching Notes for Popper Cello Étude No. 28 We had SO much fun exploring Popper 28 this week with the amazing Joely, who inspired us to look at this study in totally new ways. Katie was a student of Joely’s and considers her a wonderful mentor and huge influence in her life. Join us as
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Teaching Notes for Popper Cello Étude No. 29 This is a particularly challenging study, especially if your double stops have been on the back-burner lately. We talk a lot about psychology of practice and how to prepare a difficult work like this in our discussion this week. If you are attempting this study, be kind
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Teaching Notes for Popper Cello Étude No. 31 Apart from some tricky thumb position exploration, double-stops, and all our favourite high-end of the cello playing, we explore ways to keep concentration up when doing something repetitive… especially towards the end when there is a very tricky passage (Sneaky Popper!) Don’t waste time practising the repeated
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Teaching Notes for Popper Cello Étude No. 33 This étude has its challenges. It takes stamina and focuses heavily on the thumb. In this video, we break down lots of ways to approach the aspects that seem initially challenging. We also have a lot of good tidbits in this video that apply to other aspects
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